Kevin Timon HillKevin Timon Hill
Wide view of the reconstructed apartment bedroom set from 'One to One: John & Yoko'
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'ONE TO ONE: JOHN & YOKO' - DOCUMENTARY

Production Designer

Project
'ONE TO ONE: JOHN & YOKO' - DOCUMENTARY
Role
Production Designer
Scope
Feature Documentary

A historically accurate reconstruction of John and Yoko’s Greenwich Village apartment, designed to feel as though they had just left the room.

The set was planned around a 90-second continuous crane shot, with precise camera and dressing coordination across the entire space. Below are the two hero reference images followed by concept art showing the would-be set visual for each view.

RecognitionNews & Documentary Emmy nomination for Outstanding Art Direction / Set Decoration / Scenic Design

John Lennon and Yoko Ono on the bed in the reconstructed Greenwich Village apartment set from 'One to One: John & Yoko'Wide view of the reconstructed apartment bedroom set from 'One to One: John & Yoko'John Lennon and Yoko Ono lying on the bed surrounded by photographs in 'One to One: John & Yoko'Detail of the bed with headphones, records and ephemera in the 'One to One: John & Yoko' set
Set photo from 'One to One: John & Yoko'1 / 7

For One to One: John & Yoko, the brief was to create a space that was as historically accurate as possible, yet emotionally charged and deeply personal. The guiding ambition was to evoke the uncanny sense that “John and Yoko had just left the room,” with the air itself still moving from their presence. Every object and detail was carefully chosen to transform iconic but grainy photographs into a tangible environment, allowing the audience to feel as though they were stepping into a space alive with unseen history.

The main challenge was designing the set around a planned 90-second continuous crane shot sweeping through the entire room — capturing as much of the space as possible without sacrificing dressing or authenticity. This demanded extraordinary precision: only the smallest wall openings were used, while multiple versions of the camera move were animated in advance to ensure its timing, composition and views could be achieved and approved ahead of the shoot.

The palette and layering of intimate details ultimately created an atmosphere that felt both authentic and heightened — an environment in which John and Yoko seemed present within the film without ever being shown.

The project was subsequently nominated for a News & Documentary Emmy Award for Outstanding Art Direction / Set Decoration / Scenic Design, recognising the work undertaken to recreate and bring this highly personal historical environment to the screen.

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